This article relies too much on to. Please improve this by adding. (September 2011) Avid Symphony is software aimed at professionals in the TV and movie industry. It is available for PCs and platforms. Symphony is 's high end SD/HD finishing platform for long form work, such as documentary and episodic TV. Its interface is based on the same look and feature set as the and systems, but contains the highest level of features and resolution including secondary color correction, uncompressed HD, and higher real-time performance.

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Contents. Release history Symphony is the software component of a tightly integrated package that includes specific hardware audio/video interfaces, storage, and the computer, also sold by Avid. Its release history is therefore tightly related to the release of new Avid interface hardware: Symphony was introduced to the market in 1998. It was based on Avid's Meridien hardware, supporting SD only, and was available first only for the PC and later for the Macintosh platforms.

Its last release was 5.0.5 which supported Windows 2000. The next major upgrade was Symphony Nitris in 2005, with a redesigned software and integration with the Nitris DNA hardware (PCI-X). It supported 8 bit and 10 bit SD and HD resolutions in both compressed and uncompressed forms, the format and codec, and ran only on Windows PC platforms. Symphony Nitris DX, released in 2008, added support for a range of HD codecs, including HDV, XDCAM-HD, DVCPRO HD, and AVC-I, and brought back Mac OS support for, as well as.

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Since the introduction of Symphony 6, it can be used in software-only mode (where a Nitris or Nitris DX BOB used to be required), and at the same time, like, Symphony was opened up with 'Open I/O', allowing users to have Symphony use their third party hardware from companies like AJA, Matrox, BlueFish, Blackmagic Design and MOTU. The last remaining features that differentiate it from are Advanced Color Correction (channels, secondary color correction,), Relational Color Correction (corrections based on common clip name, tape name, program track) and Universal HD Mastering (only with Nitris DX hardware). The latter allows cross-conversions of 23.976p or 24p projects sequences to most any other format during Digital Cut. In 2013, Avid announced it would no longer offer Symphony a standalone product.

Starting version 7, Symphony will be sold as an option to. This optional package (sold at a premium) will contain all the traditional Symphony-only features to any Media Composer install. Use in movies., Director: Avid Media Composer 6 and Avid Symphony 6 Nitris DX., Director: Avid Xpress Pro and Symphony., Director: Avid Xpress Pro and Symphony. Avid Media Composer and Symphony Nitris. Edited with Mac-based Film Composer XL, but HD screenings prepped with Symphony References from International Directory of Company Histories, Vol. James Press, 2001.

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Add advanced color tools and more to Media Composer Symphony. has been the top go-to post-production tool for years. And now it's available as an add-on option.

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for Media Composer, providing the same advanced color correction and mastering as it always did. What’s more, it comes with Boris Continuum Complete, enabling you to create stunning visual effects. Whether you’re an Avid editor or using a different NLE, watch this video and discover the many ways in which the Symphony options gives you a distinct advantage over anything else.